**Author details**

Verginica Schröder1 \*, Daniela Turcanu-Carutiu<sup>2</sup> , Adina Honcea<sup>3</sup> , Rodica-Mariana Ion4,5, Sorin Grigore6 and Loreley-Dana Jianu1

1 Department of Cellular and Molecular Biology, Ovidius University, Constanta, Romania

2 Faculty of Arts, Center of Artworks Expertise by Advanced Instrumental Methods (CEOAMIA), Institute of Science, Culture and Spirituality, Ovidius University, Constanta, Romania

3 Department of Microbiology and Immunology, Ovidius University, Constanta, Romania

4 ICECHIM, Group of Evaluation and Conservation of Cultural Heritage, Bucharest, Romania

5 Materials Engineering Department, Valahia University, Târgoviște, Romania

6 Synevo Laboratory, Microbiology Department, Constanta, Romania

\*Address all correspondence to: verginica.schroder@univ-ovidius.ro; virgischroder@yahoo.com

© 2020 The Author(s). Licensee IntechOpen. This chapter is distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/ by/3.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

**237**

*Technical - Experimental Methods Used in Artworks' Expertise*

EGG 1. Micheroux, Belgique; 2010. p. 1659. DOI: 10.4000/ceroart.1659

of the microbial communities detected on an oil painting on canvas to its biodeterioration. PLoS One. 2013;**8**(11):e80198. DOI: 10.1371/

[10] Coronado-Ruiz C, Avendaño R, Escudero-Leyva E, et al. Two new cellulolytic fungal species isolated from a 19th-century art collection. Scientific Reports. 2018;**8**(1):7492. DOI: 10.1038/

[11] Fiala V. Russian Painting of the 18th and 19th Centuries, Translated by Jean Layton. Prague: Artia; 1981. p. 18

[12] von Sandrart J. In: Dietterlin W, editor, StockauAcademia nobilissimæ artis pictoriæ. Albertina, Wien, Österreich; 1583. pp. 302-304

[13] Rosenberg P, Thuillier J. Laurent de La Hyre 1606-1656. Man, and Work (Exhibition Catalog 1989-1990 Museums in Grenoble, Rennes and Bordeaux). Geneva: Skira; 1988. p. 18

[14] Michel C. Charles - Nicolas Cochin et l'art des Lumières, École française de Rome; 1993. pp. 547-615. (Contains Pierre's letter on the causes of decadence

[15] Lesur N, Aaron O. Jean-Baptiste Marie Pierre 1714-1789. In: Premier peintre du roi. Paris: Arthena; 2009.

[16] EN ISO 14698−1. Cleanrooms and Associated Controlled Environments— Biocontamination Control Part 1: General Principles and Methods. 2003

[17] Pasquarella C, Pitzurra O, Savino A. The index of microbial air

journal.pone.0080198

s41598-018-24934-7

in the art of France)

pp. 10-15-450-500

[9] López-Miras MM, Martín-Sánchez I, Yebra-Rodríguez Á, Romero-Noguera J, Bolívar-Galiano F, et al. Contribution

*DOI: http://dx.doi.org/10.5772/intechopen.92682*

[1] Duval R, Duplais C. Fluorescent natural products as probes and tracers in biology. Natural Product Reports. 2017;**34**:161-193. DOI: 10.1039/

[2] Isacco E, Darrah J. The ultravioletinfrared method of analysis, a scientific

[3] René de la Rie E. Fluorescence of paint and varnish layers (part I). Studies

[4] Comelli D, Nevin A, Brambilla A, Osticioli I, Valentini G, Toniolo L, et al. On the discovery of an unusual

in Conservation. 1982;**27**(1):1-7. DOI: 10.1179/sic.1982.27.1.1

luminescent pigment in van Gogh's painting, les Bretonnes et le pardon de Pont Aven. Applied Physics A. 2012;**106**(1):25-34. DOI:

10.1007/s00339-011-6665-9

[5] Cosentino A. Practical notes on ultraviolet technical photography for art examination. Conservar Património. 2015;**2**:53-62. DOI: 10.14568/cp2015006

[6] Cosentino A. FORS spectral database of historical pigments in different binders. e-Conservation Journal. 2014;**2**:57-68. Available from: http://e-conservation.org/ issue-2/36-FORS-spectral-database

[7] Comelli D, Valentini G, Nevin A, Farina A, Toniolo L, Cubeddu R. A portable UV-fluorescence multispectral

[8] De Winter S. Conservation problems with paintings containing fluorescent layers of paint. In: CeROArt (online).

imaging system for the analysis of painted surfaces. The Review of Scientific Instruments. 2008;**79**(8):086112. DOI: 10.1063/1.2969257

approach to the study of Indian miniatures. Artibus Asiae. 1993;**53** (3-4):470-491. DOI: 10.2307/3250528

**References**

C6NP00111D

*Technical - Experimental Methods Used in Artworks' Expertise DOI: http://dx.doi.org/10.5772/intechopen.92682*
