Perspective Chapter: Liberal Arts Education Worldwide Unlimited Inc. – The Unspeakable Basis of Comparative Humanities

*William Franke*

## **Abstract**

This essay, originally a keynote speech for celebratory occasions in East Asian universities, works from the personal experience of the author as a professor teaching and researching in Macao and visiting other universities of the region. The essay espouses a philosophy that moves from what cannot be said, the ineffable, as the basis for thinking both in the East, with its mystical philosophies focused on what escapes formulation in language, and the West, beginning from the Socratic wisdom of knowing nothing. This negative moment of encountering the other and the unknown, which entails a moment of relinquishing of language, is shown to be crucial to knowledge in the humanities and to resist the pressures toward specialization at the university. These considerations articulate an alternative vision of what liberal arts education can be today that is informed by both Eastern and Western cultural traditions. Their insights can be applied to pragmatic fields and be plied to place even present and future business relations in the perspective of their historical background and universally human grounding.

**Keywords:** Socratic wisdom, Daoism, Confucianism, negative theology, apophatic humanism

## **1. Introduction**

The nature of knowledge in the humanities, as *involved* knowing, is to be inextricably contextual and therefore comparative. To this extent, such knowledge is destined also to be inherently international. While working in and visiting universities in Macao, Hong Kong, Taiwan, China, Japan, Korea, Singapore, Malaysia, and the Philippines, over the years 2013–2016, I had the occasion to observe how traditional humanities are often

being pursued most energetically and ambitiously in East Asia.1 Ironically, the West can relearn from East Asia the meaning and purpose, in some crucial respects, of studying the humanities. I have found humanities cultivation to be still comparatively youthful and vital in Greater China and its neighbors. The liberal arts there are often still felt to afford accession to a new kind of empowerment and self-awareness. This has been my experience in certain teaching institutions oriented to broad enculturation rather than being strictly geared to serving narrowly defined career goals of professional development.2 The crisis in the humanities is, of course, worldwide, and in the end, Asia is no exception. However, the timing and effect of history in the evolution of society and culture in the East are not synchronized with their movements in the West. This enables East Asia to offer an intriguing foil, with often surprising perspectives counterpointing and out of phase with developments in Western universities as well as in other types of educational and research institutions.

To the end of interpreting the purport and motives of any such flourishing of the humanities, the issue of the specialization of knowledge in the context of the university, with its double mission of fostering research and general education, serves well as a key focus.3 Taking up just one aspect of the broader topic of the progressive specialization of knowledge, I wish to pursue the question: Why do we still need *un*specialized knowledge? Our specialized scientific knowledge seems to have become so successful today that we take it to be the absolute paradigm of what genuine knowledge should be. Science has given us prodigious powers to transform our world. Yet, unless we have some measure of understanding of its goals and take responsibility for the final ends of it, this knowing is at risk of becoming only that much more mighty a form of manipulation and even recklessness. Not that we can know, in any definitive way, the ends of human existence or the purpose of the universe. But we can and do need to know or take account of our own ignorance *vis-à-vis* their endlessly open possibilities. This self-awareness is a fundamental premise for the validity of any branch or aspect of our knowledge, and it is essential to protect us from the worst ravages of our own limitations and inevitable blindnesses.

My thesis, then, in its baldest and most outrageous form, is that knowledge in the humanities is—and should be—fundamentally ignorance. The humanities' highest purpose is to teach us our ignorance. This was the lesson of Socrates near the outset of the Western tradition of philosophy: He understood that the oracle of Apollo at Delphi had designated him as the wisest of men simply because he knew that he did *not* know. Instead of being a possessor of knowledge, he was a *lover* of wisdom, a devotee to the pursuit of *philo-sophia* (literally, "love of wisdom"). This Socratic wisdom is

<sup>1</sup> This chapter originated as a keynote address for a symposium on "Liberal Arts in the Age of Globalization" marking the 10th Anniversary Celebration of Underwood International College, Yonsei University, Seoul, South Korea, October 28, 2015. I thank Professor Anthony Adler for his formal response. Much of the content was subsequently adapted to serve as an inaugural address for a new School of Foreign Studies at Capitol University of Economics and Business in Beijing, China, May 26, 2016. A shorter version appears also as a chapter in my book O*n the Universality of What is Not: The Apophatic Turn in Critical Thinking* (Notre Dame: University of Notre Dame Press, 2020), reused with permission from the publisher. <sup>2</sup> I owe this experience to my position as Professor and Head of Philosophy and Religious Studies at the University of Macao from 2013 to 2016. I was also Visiting Associate Professor of Comparative Literature at the University of Hong Kong in 2005–2006 and was hired there as Professor of European Studies in 2012, but went to Macao instead.

<sup>3</sup> The Yonsei University anniversary symposium addressed specifically the issue of specialization in the humanities.

### *Perspective Chapter: Liberal Arts Education Worldwide Unlimited Inc. – The Unspeakable Basis… DOI: http://dx.doi.org/10.5772/intechopen.109236*

not without close parallels in the Daoist and Confucian traditions, where the sage is acutely aware of how the Dao persistently escapes from human grasp and from all the constructions of language. Still today, as in all ages, this may well be the hardest thing of all for us to know—or at least to acknowledge and accept. The *un*knowing that underlies, antedates, and conditions all our knowing, however advanced and powerful our technical know-how becomes, remains in essential ways the better part of wisdom. It is what relates us to everything else beyond our ken and releases us from confinement to the narrow sphere of our own familiar territory surveyed and charted by our measuring instruments into grids of information. This cognizance as a form of acknowledgment of what is beyond and other to our own system of rationalized knowing projects us into relation with the all and the unknown.

Humanities knowledge, then, at a certain fundamental level, is about human limits. Such knowing of one's own limits is the gist of the injunction "Know thyself" inscribed over the temple of Apollo, the god of wisdom, at Delphi in Greece.4 Yet the limit is also what enables us to think past a circumscribed field of knowledge and to intuit an uncircumscribed, undelimited region beyond. The limit opens this "beyond" in another register of awareness trained on what exceeds objective representation and conceptual grasp. The narratives and archetypes of myth and religion offer us a fertile resource for this purpose: they provide what we could call an "imaginary."5 In millenary traditions across cultures, the deepest wisdom of humanity consists of knowing our own ignorance, and this knowing opens upon an unspeakable dimension of consciousness that is profoundly expressed across cultures in the modes of literature and religion as well as in other artistic genres and humanistic types of endeavor.

The negation of discourse and mystical surrender to knowing "nothing" turns out to be intimately bound up with a kind of (un)knowing of *every*thing or more precisely with an inarticulable awareness of the connectedness between and among all things without limits. The negation of our claim to definitive knowing, our understanding of ourselves as more fundamentally in a state of unknowing or of learned ignorance (*docta ignorantia*), opens this infinite sphere. This is the sort of wisdom that the oldest traditions of myth and religious ritual have perennially intimated by indirect means in their own poetic and symbolic vocabularies. It is also the kind of knowledge that the humanities have a mission to continue to cultivate in our modern, ever more technocratic and managerial civilization. Otherwise, we are ever more fatally gripped in the vice of specialized, technical knowledge that ignores and obliterates all such intuitive, as-yet-undifferentiated awareness. We lose our peripheral vision of a nonobjective dimension of existence as underlying everything human and sustaining its meaning.

Whether or not we believe in any special intuitive cognitive faculties, or in any sort of higher mind or reality, still we must concede that the knowledge of every discipline is limited and open on all sides in the direction of other disciplines. Such knowledge necessarily looks toward what remains unknown to the given discipline's knowledge taken simply on its own terms. Without presupposing any kind of mystic sensibilities, we are all nevertheless aware, in any given act of cognition, of the impingement on all our apparent knowing, of background factors that cannot be exhaustively determined

<sup>4</sup> Pausanias [1] records the inscription γνώθι σεαυτόν (*gnothi seauton*) in his second-century A.D. *Description of Greece* (X.24.1).

<sup>5</sup> The term "imaginaire" is used by French critics such as Michel Foucault [2] and Jacques Lacan [3] not just as an adjective but as a substantive designating the cultural construction of a world through symbols and images.

or thematically focused. This circumambient reality, which can never be taken in as a whole, since it is no distinct object of knowledge, is in effect "nothing" insofar as exact knowledge is concerned. Yet it is all-important as a kind of connective tissue for determining contextually the purport and sense of all that we might claim to grasp or understand by our mental powers. This is the unspeakable basis of knowledge in the humanities that these reflections will nevertheless endeavor to make indirectly discernible. We need to recognize and appreciate it as the secret source of value in all our knowing, even knowing of the most technical, precise, and positive sorts.

## **2. The humanities as involved knowing**

Shifting our perspective to East Asia helps us to discern what is truly universal about the university in its vocation to cultivating humanity. However, the universal is also in the end the singular—since we are *all* unique individuals. Accordingly, I will take up this topic in a more personal voice and from an autobiographical angle, with reference to particular occasions. This more subjective dimension—which has some claim to belong to what may be called, as suggested by William Desmond, an "intimate universal"—is, after all, inextricable from humanities knowledge [4].

A recent book of mine—*The Revelation of Imagination: From the Bible and Homer through Virgil and Augustine to Dante* (2015)—mounts a defense of the humanities as an indispensable and universal way of knowing [5]. It considers the humanities specifically as "Involved Knowing," to quote from the title of the Introduction. Concentrating on the tradition of epic and prophetic poetry that sustains Western literature as perhaps its central axis, and bringing this tradition into relation with the claims to personal and inspired knowledge that are characteristic particularly of revealed religion, this book outlines a philosophical theory of the ways and means of acquiring insight in the humanities. Its introduction and conclusion work out a "poetic epistemology of knowledge in the humanities" that contrasts with—but in the end also encompasses scientific method as itself just one more means of human knowing.

Science, too, as actually practiced by human beings, needs to be viewed, finally, as a kind of poetry. It, too, entails the creative invention of modes of seeing and experiencing. Human knowledge is personal, contextual, historical, and relational, and this includes even scientific knowledge considered as a form of human knowing. Knowledge, at its origins and in its core, is necessarily *involved* knowing: It cannot be made purely detached and objective. As Giambattista Vico (1668–1744) convincingly showed several centuries ago, we know essentially by doing and making. We cannot abstract our knowledge from this human rootedness in existential acts of being. Scientific objectivity apparently demands making some such abstraction. Nevertheless, the *significance* of all our knowing is indissolubly bound to embodied and encultured human subjects. They alone can make knowing meaningful by their conscious and participatory acts of reflection.

This notion of knowledge as a fully concrete act rooted in both physical and social existences is enshrined in the traditional model of the liberal arts. As involved knowing that engages whole individuals at every level of their being, both body and spirit, the liberal arts naturally and necessarily resist the more extreme sorts of pressure toward ever greater specialization. It is impossible to completely objectify and divide up analytically an act of knowing in which one is presently involved. The knower is enveloped within an unfolding process rather than standing outside of it and able to encompass it all with an adequate concept in a bird's-eye view. We can only reflect on

#### *Perspective Chapter: Liberal Arts Education Worldwide Unlimited Inc. – The Unspeakable Basis… DOI: http://dx.doi.org/10.5772/intechopen.109236*

our participation in this process: We cannot fully comprehend it as a whole because we are ourselves within it and are part of it. Our *relation* to and within this imaginable whole remains paramount. We cannot abstract from this wholeness without forgetting or distorting the nature and purpose of knowing as an incalculably meaningful form of life.

Therefore, we must think of the liberal arts not as separate disciplines, a handful of specific options among others on a menu of course offerings, ones that with time seem to have become increasingly obsolete and irrelevant. Instead, every one of the liberal arts, more deeply considered, is an angle of approach to the whole of knowledge. A liberal art is not just a specific subject focused on a designated type of thing or category—such as forms in space for geometry, or different permutations of numbers for arithmetic, or mathematical proportions for music and astronomy (the *quadrivium*), or valences of verbal expressions for grammar and rhetoric and logical figures or syllogisms for dialectics (the *trivium*). According to their long-attested tradition in the ancient and medieval worlds, each discipline of the liberal arts is rather a window on the whole of life and being, a window opening on the overall order (or disorder) and purpose (or meaninglessness) of the universe. Each of the seven *artes liberales* just mentioned, making up the *trivium* and the *quadrivium*, was canonical in ancient and medieval tradition. Today, they are studied alongside many more subjects, including all those designated as sciences and social sciences and humanities in the curriculum of the liberal arts college. Each furnishes a way of exploring the relation to others of the knowing subject self-aware as an individual person. Each brings into focus from a particular angle of vision that person's relation within the world and thus their relation to knowledge as a whole.

One of the perhaps surprising implications of this orientation to wholeness is that each of these disciplines fosters fundamentally a form of *self*-knowing, of knowledge of oneself within the unlimited context of the international community and of the entire cosmos. What is known in liberal arts, and most transparently in humanities studies, is not just an isolated object or even a specific field walled off from others. It is rather the whole of knowledge seen from a particular angle and viewed in terms of a specific disciplinary subject matter by an individual and self-reflective, thinking subject. This is the nature of wisdom (*sapientia*) as opposed to knowledge simply of facts (*scientia*). Authentically human knowledge has a self-reflective structure shaping it into a whole that is actualized by a human being and that is not made up merely by the accumulation of objective data in a definable domain. The specific objects known in any of these arts—geometrical or grammatical or astronomical or whatever—serve chiefly as a material for an exercise in *self-reflection* that is unlimited in scope and that aims at self-comprehension on the part of the knower in relation to others in the global situation. A self-reflective subject is placed in unlimited relations with others throughout the universe.

A college course today, for example, covering US foreign relations since 1945 or the Opium Wars in China, is not just about a certain segment of history and its particular protagonists and special issues and problems. Instead, it illuminates also the way that any of us—and the communities to which we belong—engage in relations with one another, negotiating compromises in the face of real or perceived threats and conflicts of interest. This more general and applied type of insight and awareness is likely, in most cases, to be of more lasting significance than all of the specific knowledge of facts that may also be learned. Most students taking such a class will never become foreign affairs experts or work in the State Department. But all can learn to comprehend something significant about the complex interaction among incalculably

shifting factors in creating and upsetting the delicate sorts of equilibrium in which human relations consist. This specific type of dynamism has a direct pertinence for all in their own lives and struggles and aspirations.

In this sense, humanities educators are all engaged in what can be called "general education." However, it is not by creating another box with the label "General Education" that this purpose can be served best. We should not deceive ourselves into thinking that General Education *as such* can be taught by offering courses earmarked by that label. The general can only be approached through the specific, the global through the local. It is disciplinary courses in the liberal arts that have the duty to carry out "general education," with its vocation of awakening the intellect and attuning the human spirit to become capable of entering into fruitful participation in the general order of things. This type of enculturing study is not a separate and supplementary material that can be added in alongside the others. It is the common goal and purpose of all of the liberal arts, including the natural and social sciences. They approach and achieve it each in their own way and from their own differentiated disciplinary backgrounds. They offer so many different incitements—suited to different students' tastes and talents—to contemplating the overall frame of things.

The essence of specialized knowledge concerning geology, history, art, or whatever discipline taken as a liberal art is to be understood analogically and exemplarily. Whatever the specific subject matter, it involves an instance of an individual human being engaging in a relationship with others in the world as filtered through certain identifiable traditions, with their characteristic concepts and methods of thinking. Saint Augustine understood each of the liberal arts as revealing analogically something about the nature of the divine mind and intelligence that informs the universe in every feature and aspect throughout all levels of reality. In this spirit, knowledge in the liberal arts is not fundamentally about a circumscribed field of objects but rather about a relation to the whole of being. For Augustine, the liberal arts were all ways of contemplating God. Yet they were not merely propaedeutic to theology. They were already themselves implicitly theological in the sense of revealing some aspect of the whole of being in its deepest grounds and cause. The leading role of theology here as "queen of the sciences" became much more explicit later in the Scholastic period with Bonaventure's *De reductione artium ad theologiam* (*Reconducting the Arts to Theology*) [6]. In this light, liberal arts knowledge shows up not as a means to an end but rather as ordered to envisioning a unity or wholeness that reveals all things in their deeper natures in and through manifesting their relations with one another. It is in this sense that humanities consist, from the ground up, of irreducibly relational knowing.

## **3. Human encounter and the unknown**

Unlike the strictly specialized knowledge of the sciences, humanities learning teaches us to pursue knowledge as a way of relating to an infinite or at least an open world consisting of unlimited relations. We are concerned with the quality and vitality of our relation with the whole and not just with solving particular problems within defined parameters and coordinates. This relation to the whole of the universe, however, has to start with our relations to those immediately around us. A humanities course is first and foremost about human encounter with the others in the course and about the horizon of being human that discloses the unlimited potential of such encounters. From there, its scope expands to touch on the many different contexts of these encounters in the unlimited horizon of the universe and even to its "beyond."

*Perspective Chapter: Liberal Arts Education Worldwide Unlimited Inc. – The Unspeakable Basis… DOI: http://dx.doi.org/10.5772/intechopen.109236*

This "beyond" gestures toward the transcendent dimension that, even if unknown, *via* relation, and therewith by a relativizing action, can lend a different kind of meaning to everything that *is* within the sphere of our knowledge and experience.

Already in the ancient world, geometry and arithmetic, for example, were not only about figures and numbers but also about the design of the universe and about the proportions necessary for harmony among people and between all beings. If knowledge cultivates only technical expertise in managing factual information, without moral reflection or spiritual vision and esthetic inspiration, it becomes merely mechanical. We are then no longer educating persons, but are merely programming machines. We might as well be training robots.

Of course, the infinity of our relations is nothing that is ever knowable in any definitive terms. Accordingly, the disciplines of the liberal arts and sciences, together and all at once, are forms especially of relating to the *unknowable*, of what cannot be objectively grasped or controlled. The unknowable is our true starting point in any endeavor to pursue knowledge to its ultimate grounds, and it remains a constant point of reference ever after. This, in the last analysis, is what we need to acknowledge in order to preserve our knowing as human and thus prevent it from turning into a monster—like Frankenstein—that will threaten to destroy us.6 The unknowable has priority because it is the horizon necessary to allow the unencompassable whole of things to remain operative on our minds in their striving after the unconditioned that lies beyond all the finite limits and conditions of our knowing. Otherwise, we are liable to force a reduction to our own known and artificially delimited frame of reference applied for purposes of defining a circumscribed field of objects that we can manage and control.

This idea of humanities knowledge as orienting us to unlimited relatedness of all with all, and as being based above all on human encounters, requires us to learn to be open to one another as well as to acknowledge what we can never completely know even about ourselves. It leads us ineluctably in the direction of an international, and indeed a global, perspective on learning. Since it entails unlimited openness to others and to the Other, humanities knowledge is intrinsically international and is naturally destined to become global. It fosters communications across national and cultural boundaries. It cultivates knowledge of local and regional traditions, yet it cannot help but seek to place them in a global context. It understands universal human concerns as impinging in crucial ways on the present and on our own decisive and inescapable moment in world history.

My previously mentioned book *The Revelation of Imagination* is exclusively about the Western humanities tradition, but my working in East Asia enabled me to extend my vision of the humanities to comprehend also Eastern traditions. In the course of my three years as the head of a program in philosophy and religious studies at the University of Macao, I wrote a book engaging these traditions: *Apophatic Paths from Europe to China: Regions Without Borders,* now in a series on Chinese Philosophy and Culture (SUNY Press) [8]. As a testament witnessing my trans-global experience, this work elucidates how my pursuit of the unknowable, or of what cannot be said, through what I call "apophatic" thought, led me to East Asia, especially to its ancient mystical traditions, which are so keenly sensitive to and reflective of the limits of language. The preface to the work lays out this itinerary in both an autobiographical and a theoretical register.

Through this experience of geographical displacement, my approach to Western humanities has expanded into a work of comparative philosophy engaging

<sup>6</sup> Alex Garland's 2015 [7] science fiction film *Ex Machina* recycles this myth, which is ever-present in popular culture.

particularly with classical Chinese thinking. I endeavor to explain specifically in terms of my apophatic philosophy what is at stake for me in extending humanities studies beyond the borders of Western tradition brought into conversation with East Asian thought and literature. I focus on currents of apophatic thinking, which are actually very strong in both the East and the West, but especially and most obviously in Eastern traditions such as Confucianism, Daoism, and Buddhism. The work thus serves to illustrate the deeper grounding for an approach to global humanities education in a postmodern, and now even post-secular, world. Such an approach, as I conceive it, is based on the classical wisdom of unknowing.

## **4. The imperative of de-specialization in the humanities**

Humanities knowledge quite generally proceeds by attempting to understand something in relation to something else—and even, finally, in relation to everything else, for all delimitations of context are relative to certain interests and reflect pragmatically motivated decisions and thus show up as arbitrary in relation to the whole of knowledge. This makes the humanities inextricably comparative in method.7 Most importantly, comparative humanities studies enable us to glimpse in the interstices something absolute that is neither Western nor Eastern but connects with both and is imaginable as their common source or, equally and inversely, as the global future in which East and West share a common stake, for, in addition to the aggregation of different disciplines, there is also something *between* disciplines, in their mutual critique and reciprocal challenge, as well as in their coherent complementing of one another, that highlights each one's insufficiency in itself. The *inter*disciplinary, as the space between disciplines and diverse subject matters, is not just a matter of gathering together leftover fields of study not quite adequately accommodated within the categories of one discipline or the other. Instead, interdisciplinarity exceeds the disciplinary framework altogether and thereby opens upon a dimension that encompasses, or at least conditions, all disciplines: this in-between space precedes their differentiation and can call them into question. This dimension of the *un*disciplined and absolute opens in and through the negation of every specific discipline as determined by the fiction of a delimited field of objects that is isolatable from the rest and so can be known with certainty on just its own terms. Beyond such artificial constructs lies the dimension of the absolute that is explored in various ways by religion and the arts. It requires being conceived of as *trans*disciplinary and transcultural.

What I have presented so far bears indirectly on the issue of the pressures in our institutions of higher learning toward specialization and contains resources for rethinking this demand. It leads me to undertake, in the name of traditional humanities study, to advocate non-specialized forms of knowing. I defend these humanistic studies not in opposition to specialized knowledges of a technical, scientific nature, but rather as their necessary ground and background. The humanities have a crucial role to play in countering the incessant pressure toward specialization and the consequent loss of global vision and of any kind of awareness reaching beyond the objective field of arbitrarily and artificially defined formal objects. I advocate specifically what I call an "apophatic" (literally "negative") approach to culture, an approach that places the

<sup>7</sup> Here I acknowledge the formative experience of the "Comparative Antiquities" workshop on "Global Classicism," a Humanities Council Global initiative, Princeton University.

#### *Perspective Chapter: Liberal Arts Education Worldwide Unlimited Inc. – The Unspeakable Basis… DOI: http://dx.doi.org/10.5772/intechopen.109236*

emphasis, first, on what cannot be objectively articulated and differentiated but rather abides as an inarticulate ground or background of all possible makings of sense.

Such non-specialized knowing is to be found eminently in literature and art and in other humanities studies. It includes the study of culture and, in particular, a study of religion that remains open to personal imaginative appropriations of symbols. Such appropriations can be motivated not only by religious belief but also by ethical conviction, esthetic vision, and social sentiments of solidarity, etc. However, in any of these cases, an element of de-specialization is vitally necessary for humanities studies aiming at the unity of knowledge. We need to hang on to a kind of knowing that does not and cannot be distilled into various types of expertise with their parceled-up and mutually exclusive fields of research. We require a knowing that, instead, connects us with the unsayable and unclassifiable. As necessary as specialization may be to scientific advance and technological progress, it is the inchoate and global intelligence of what cannot be specifically defined that is the lifeblood of the humanities. This uncategorizable awareness of unlimited potential for connectedness courses through the entire body of human knowledge. It is the cognizance of and sensitivity to this unencompassable and only imaginable dimension of the whole that is most necessary for the vitality of the pursuit of knowledge in a global sense. This pursuit entails, above all, the wisdom of *un*knowing famously articulated at the origins of Western philosophy almost two and a half millennia ago with Socrates's wisdom of knowing that he did *not* know. We have already noted the comparable wisdom of unknowing in the Daoist tradition of Laozi and Zhuangzi in classical China. It is in this sense that we need to understand what de-specialization can mean and why it is so incomparably important.

This perspective, which I call apophatic, contributes, furthermore, to setting up worldwide dialog across humanities disciplines. One concrete step that we can take in the direction of non-specialization is to move toward the study of world literature. Rather than only further dividing humanistic fields and regions from one another with a view to ever more specialized examination in terms of differentiated languages and cultures, something emerges in the cross-cultural comparison of texts and traditions that is otherwise missed. A potential for relation and connection is disclosed through the overarching synthesis that is greater than the sum of its isolated parts.

The idea of world literature is being probed today in the wake of a crisis in humanities education. In part, this global reconceptualization of literature is driven by curricular reform in universities reflecting demographic and cultural shifts. I have explored this idea recently, with other scholars especially of comparative literature, at an international summit on world literature at Beijing Normal University: "Ideas and Methods: What Is World Literature? Tension between the Local and the Universal."<sup>8</sup> This summit discussed the topic of world literature in the tension between the demands of worldwide accessibility and the requirements of language-bound and culture-specific informed reading. Among my conclusions from that event are some reflections—cast in terms of my apophatic philosophy—concerning the paramount place and catalyzing role of literary study and comparative cultural study in humanities education.

<sup>8</sup> "An International Summit Dialog and Forum," School of Chinese Language and Literature, Beijing Normal University, October 16–17, 2015. Acts of the conference have been published in Weigang Fang [9].

## **5. Meeting of east and west as catalyst to global humanities education**

The idea of global humanities education is all too easily misunderstood as making an imperialistic bid for territorial expansion or as aspiring insanely to conquer and dominate the entire world. Yet, what I mean by this idea, cast in an apophatic mode, is rather the opposite. The encounter with the Other places us face to face with our own insuperable limits. Most importantly, it is in crossing borders into encounter with other cultures that our own limits first become visible to us so that they can become objects of self-conscious reflection.

It is necessary, therefore, for us not to set up a dichotomy between Eastern and Western incarnations of humanity, but rather to underline the continuities between them as deriving from a common basis that is properly nowhere, neither East nor West: It is a basis that culture can neither encompass nor confine.9 The muchmaligned Rudyard Kipling stated as much with disarming ingenuousness in an apocalyptic image of overcoming the seemingly fatal divisiveness between peoples inhabiting opposite ends of the earth:

*OH, East is East, and West is West, and never the twain shall meet, Till Earth and Sky stand presently at God's great Judgment Seat; But there is neither East nor West, Border, nor Breed, nor Birth, When two strong men stand face to face, tho' they come from the ends of the earth!10.*

Kipling's "neither-nor" rhetoric happens to be one of the principal resources also of apophatic thought and writing as used, for instance, in the Upanishads ("neti neti"). It enacts what Madhyamika Buddhism would call "nondualism" and is useful for surpassing dichotomous thinking. I do not mean to attribute deliberate and consciously non-dualistic thinking to Kipling; nevertheless, even such a faint echo or vestige is not insignificant. The universal propensities toward negation and self-limitation, and even prophecy, inhering in our language are operative at the most ordinary and mundane levels, and they can be placed into relief, so as to produce heightened awareness, by poetry of genius. Today, furthermore, we might imagine Kipling extending this logic by supplementing his statement with, "But there is neither man nor woman when two true singularities meet face to face in the fray of the oldest war in the world."

Ernest Fenollosa's essay on "The Coming Fusion of East and West," first published in 1898, is similarly clairvoyant in envisaging not only mutual non-aggression but also a necessary and fertile marriage between Western and East Asian cultures.11 Situated historically on an international frontier fraught with the mounting tensions of the age of crisis for Western colonialism, the essay prophetically urges such a union of opposites as indispensable for uniting people everywhere into a complete humankind. Each culture needs the other for its own completion. This was a vision appropriate to Fenollosa's age near the outset of the modern period and energized specifically by the modernist movement. This fusion of cultures was imagined by him with an ardent religious fervor true to the prophetic cast of his outlook and communicating its apocalyptic import.

<sup>9</sup> Such a basis of cognitive universals is posited by cognitive science today. I emphatically agree with cognitive science about the existence and necessity of such culture- and language-transcendent universals, while at the same time disagreeing that our cognitive vocabulary or any other culture's vocabulary can give a universally valid account of them. (See chapter 11).

<sup>10</sup> Edmund Clarence Stedman [10].

<sup>11</sup> Ernest Fenollosa [11].

#### *Perspective Chapter: Liberal Arts Education Worldwide Unlimited Inc. – The Unspeakable Basis… DOI: http://dx.doi.org/10.5772/intechopen.109236*

As the historical record attests, Fenollosa's vision was a crucial catalyst in the West's encounter with East Asian culture. It conveyed vital impulses that proved seminal to the dynamism of the West's own artistic and literary development. Ezra Pound's modernism was to a very significant degree derived from Fenollosa's discovery of the Orient and its esthetic sensibilities. Pound's new "imagist" movement in poetry took its captivatingly innovative *orient*ation especially from Fenollosa's idea of the Chinese written character or *Hanzi* (汉字) as adhering to the language of nature.

Fenollosa was an American philosopher and art historian who, as professor at the Imperial University in Tokyo, participated in the modernizing reforms of the Meiji Era (1868–1912) in Japan. As a prominent educator and political commentator on East–West relations in his time, he disseminated influence and outlined broad historical perspectives that are still coming to fruition and being verified today, especially with the rise to eminence of China as an economic and political super-power on the world scene. New work is necessary, and has been forthcoming, in order to update the analysis of the crisis of encounter and confrontation provoked by the emergence of Asian nations to prominence in the modern community of nations.12

More and more scholars everywhere today are responding to this transformation and are beginning to work in this comparative mode. Comparative scholarship by Wm. Theodore de Bary and Anthony Yu, among numerous other contributions, might be taken as exemplary of the sort of cross-cultural literary and cultural studies that this type of work between Eastern and Western traditions can produce.13 Alongside Chinese and Japanese classics, and the Vietnamese verse epic, Nguyen Du's *Tale of Kieu,* Korean classics such as the epic *Songs of the Flying Dragons* (*Yongbi och'on ka*), *The Memoires of Lady Hyegyong* (1795–1805), and *The Song of the Faithful Wife Ch'unhyang*, the so-called "Romeo and Juliet" of Korea, likewise belong in this curriculum of an emerging world literature.14

Today, however, I feel, it is imperative not just to celebrate the completeness that is to be achieved through fusion of universal archetypes but also to emphasize that from the apophatic point of view each culture needs the others in order to remain open to otherness so as to be exposed to its own insuperable *in*completeness. Facing the other is indispensable in order for us to avoid recoiling into a complacent posture of self-enclosure, which would be deadly in our world of shrinking distances and imperative interactiveness. Beyond all descriptive typologies, there is something that no culture grasps on its own or in any terms—"something" that remains, nonetheless, for all that, precisely what is most essential. This sensibility for and openness to the ungraspable and indefinable is what enables each culture also to relate to the others. Comparative criticism between cultures helps make us aware of and sensitive to what otherwise remains invisible: It is a dimension of being that emerges only in and through relations.15

Only in relinquishing our relative cultural identities can this elusive non-identity or "Nothing" of our unlimited relatedness to others be glimpsed so as to be remarked at all. It is proper to no culture: It is found only where each and every culture tends

<sup>12</sup> Prasenjit Duara [12] carries the analysis of this crisis forward to our global situation today.

<sup>13</sup> Wm. Theodore De Bary [13]. Anthony Yu [14].

<sup>14</sup> See essays on these works in Wm. Theodore De Bary [15]. The *Hanjung mallok* as "Memoires Written in Silence" prove particularly pertinent to the apophatic theme.

<sup>15</sup> In this apophatic vein of comparative philosophy and religion, see Knepper [16]. Specifically, the comparison between Daoist and Western approaches to unknowing that frames the current chapter receives expert treatment in Louis Komjathy [17].

to lose—or to escape from—itself. This empty space of the *inter* is where identities whether geographical, national, racial, or sexual—and wars all come from, although it is itself unidentifiable and therefore also unopposable. This dimension is dealt with explicitly in terms of "transcendence" as defined by the Axial Age cultures of the first millennium B.C. embracing Confucianism and Daoism, along with Buddhism in India, the prophets of Israel, the Greek pre-Socratic philosophers, and Persian Zoroastrianism.16 This exalted and sublime dimension of self-reflexivity and freedom can be touched on provocatively even through the exercise of laughter.17

These references suggest the sense in which we might adopt Fenollosa's prophetic anticipation of the future union of East and West. Indeed, I take such prophetic vision to be inherent to the often explicit visionary outlook propagated in humanities texts. I have traced a genealogical line of such texts in *Secular Scriptures: Modern Theological Poetics in the Wake of Dante* (2016). This work, having nothing to do explicitly with Asia, brings my understanding of the prophetic vocation of poetry forward from the ancient world and the Middle Ages into modernity. It thus completes and complements the other recent book (*The Revelation of Imagination*) mentioned earlier in this chapter. The topic of the prophetic inspiration of literature calls for completion through correspondences and echoes from Asian traditions. This prophetic strain running through all ages in humanities knowledge remains more than ever fundamental to our efforts in the present. Universalizing prophetic vision, which in some regards is the most robust precursor to a necessarily global vision today, is essential to humanities teaching aimed at opening a path for us and for the next generation to a future that can be genuinely new. Such a new future must also be regenerative of human wholeness as our collective and common birthright—or perhaps rather imaginable destiny.

## **6. Business as usual meets and greets** *Philosophia Perennis*

In the West, professors tend to think of philosophy and business as being opposites—as stridently antithetical, if not downright inimical to each other. Business is eminently practical, not theoretical. However, it is worth noting that philosophy in contemporary times has again come to place great emphasis on pragmatism, on taking into account the necessary and inescapable practical circumstances that condition and drive any effort aimed at authentic knowing. Reflecting philosophically on the pragmatic conditions, and not least the economic conditions and relations, of any kind of knowing, including philosophical reflection itself, has proven to be incomparably enriching in recent thought. Pragmatism has proven to be indispensable to theoretical truth, the concrete quotidian situation in which one thinks must not be filtered away by a process of abstraction. Instead, it contributes decisively to the actual content and veracity of knowing.

This pragmatic angle of approach was developed in original ways by Martin Heidegger, especially in *Being and Time* (*Sein und Zeit,* 1927), at the source spring of the diverse currents of continental and phenomenological philosophy still being pursued today. Heidegger's hermeneutics of everyday existence (*Hermeneutik des Alltags*) give a practical basis in lived experience of simply being there (*da-sein*) to any operations and contents of knowing. What things are is disclosed by what we

<sup>16</sup> Karl Jaspers [18]. For multiple perspectives on the current relevance of this topic, see Bellah [19].

<sup>17</sup> Alfredo P. Co [20].

*Perspective Chapter: Liberal Arts Education Worldwide Unlimited Inc. – The Unspeakable Basis… DOI: http://dx.doi.org/10.5772/intechopen.109236*

can do with them. Their true being is in their being ready to hand (*Zuhandensein*) like a hammer ready for use rather than simply present before us as an object of contemplation (*Vorhandensein*). Our pragmatic engagement with the world is understood as grounding any possibility of knowing it. In the Anglophone world, in turn, and for related reasons, American pragmatism has come back into vogue through voices such as Richard Rorty's and Hilary Putnam's. In fact, philosophers around the world have been turning in great numbers to precisely this heritage looming in the wake of the great American pragmatists William James, John Dewey, and Charles Sanders Pierce.

However, the grounding of knowledge in our practical existence in the world and in our everyday activities is actually a very ancient orientation of philosophy. Pierre Hadot, among others, has brought out ways in which in ancient Greek tradition philosophy was understood primarily as a "spiritual exercise" and even as a "way of life."18 Philosophy was not about knowing facts so much as about transforming one's life and oneself—and by this means also conforming to the real and harmonizing with the cosmos. This self-transformation entails pragmatic actions and stances of all sorts. It includes contemplative practices but embraces also everyday activities revolving around economic needs and modes of production. Philosophical reflection is a further dimension of awareness, but it must be grounded in the exercise of practical faculties of circumspection and of pre-reflective intelligence. Such intelligence often takes the applied form of "knowing how" rather than "knowing that."19 The craftsman's practical knowledge of how to make a spoon might be taken symbolically for a wholeness achieved in doing and making rather than in detached knowing. Although but a humble daily-use item, the spoon on its concave, shiny surface can reflect the world surrounding it into a unified, global image.20

If we go all the way back in the history of philosophy, it is striking that philosophy originated in close contact specifically with business, the profane daily business of trade, the buying and selling of goods. The exchanges were of commodities such as spices, tea, and silk, of course, but ineluctably a certain exchange of culture and ideas was also part of the mix. The earliest haunts and foyers of Western philosophy, accordingly, were at the commercial crossroads of *Magna Greacia*, in seaport cities of Asia Minor, such as Miletus and Ephesus, homes to Thales and Heraclitus, or else in southern Italy, in the coastal cities of Agrigento and Syracuse in Sicily or in Crotone in Calabria on the Adriatic and Elea in Campagna on the Tyrrhenian coast of the Italian peninsula, from which the pre-Socratic philosophers Empedocles, Pythagoras, and Parmenides hailed. These cross-cultural interfaces and meeting points were located worlds away from Athens, not in the heartland of the Greek peninsula. These coastal and commercial towns of the Greek colonies became the cradle of philosophy and therewith of our humanistic and even of our scientific disciplines.

The academy as a whole traces its origins to the kind of critical reflection that began with philosophy in Greece stimulated by the encounter in the Mediterranean basin between Asian, African, and European cultures. They brought with them their different mythologies and religions, whose comparison gave rise to critical questioning and the dialectic of the *Logos*. Business, which brought these different cultural horizons into contact, also forges its own forms of progressive rationality and is thus in its own right crucial to the history of the

<sup>18</sup> Pierre Hadot [21].

<sup>19</sup> Michael Polanyi [22].

<sup>20</sup> Nicholas Cusanus [23]. See chapter 10.

humanities. It is in this tradition that a university such as Capitol University of Economics and Business (首都经济贸易大学 [Shǒu dū Jīng jì Mào yì Dà xué]) in Beijing can best pursue the vocation of providing a liberal arts education. This tradition can and should be built on parallel forms of wisdom in other non-Western Axial Age civilizations, particularly that of classical, Confucian China. The practical basis of all human intelligence is nowhere more brilliantly reflected on than in the Confucian and Daoist classics, notably the Analects (*Lùnyǔ,* 論語) and the work attributed to Master Zhuang (Zhūangzi, 莊子).

This kind of cultural education, attending to our pragmatic relations as human beings, is not just a fringe benefit but concerns the core vision and overall mission of universities such as Capitol University (CUEB) because business is founded on human relations. Such relations are also the basis for human knowledge and for any kind of pursuit of collective or individual fulfillment. In a contemporary world in which everything is being quantified and digitalized, there is an acute need for this relational knowledge in order to cultivate whole human persons. The narrow specialization of knowledge can tend to extinguish this personal and spiritual dimension of human beings and needs to be counterbalanced urgently by a broad humanistic cultivation.

## **7. The broader educative purpose of foreign language learning**

Foreign language learning in particular is an essential part of this cultivation of the arts of human relations. A foreign language is not just a technical skill, and it is not fundamentally a tool for conveying information. Learning and speaking a foreign language is about a human encounter with a different world and way of thinking. It entails contact with people across frontiers of culture and barriers of language. It challenges us to relinquish the fixed moorings of our established identities and to reinvent ourselves, even as we discover others in their own different, to us foreign, frameworks of reference.

Studying and learning languages is also fundamentally about human encounter. The difficulty of expressing oneself in a foreign language requires one to slow down in order to try to be more direct and transparent about what one means. Paradoxically, the quality of our interpersonal communications can even be enhanced by the effort and concentration required for using a foreign language. One is forced to clarify what one essentially intends to convey rather than being able to glide glibly through exchanges with thoughtless phrases in one's own native tongue that are repeated ready-made and without any effort of reflection.

I have often experienced that a conversation between individuals using a language that both individuals are only in the process of learning might lead to some kind of deep insight and understanding, as incredible as it seems. To make it plausible, we might try thinking of how communication of feeling in poetry can be enhanced by the artificial constraints imposed by a poetic form such as the sonnet or even the sestina, where the very same end words have to be used in each of the six lines in each stanza. In sonnet writing and in language learning alike, one is forced to explore and invent unusual paths of thinking and may well discover new ideas and connections as well as previously unsuspected resources of the language. Speaking a foreign language requires a certain surrender of oneself and of one's accustomed crutches and securities, and this self-divestment is crucial to the emergence of a more authentic expression of self.

*DOI: http://dx.doi.org/10.5772/intechopen.109236 Perspective Chapter: Liberal Arts Education Worldwide Unlimited Inc. – The Unspeakable Basis…*

## **8. Conclusion**

In an apophatic perspective, we are all most deeply identified not by our differential identities, but by the "nothing" (nothing expressly sayable) that we share in common and that alone can unite us. We must simply find the courage to embrace it as our own rather than running away from the exposure of this nakedness of our common—unqualified and undisguised—humanity. This, finally, is the greatest lesson to be learned from humanities studies, one that has to be constantly relearned again and again in innumerably specific and concrete ways corresponding to the contingencies of our lives and to the extremely variegated explorations of science and literature. This learning is not a matter of being filled up and programmed with information, or of being flush with the pride of knowledge, but rather of knowing our limits and ignorance as harboring our infinite potential for learning. This precious faculty of emptying ourselves and becoming "nothing," "no-thing"—not just some definable thing—in the end, is the source of the constitutive freedom and openness of being human. It emerges in and through apophatic theoretical reflection on human culture and literature—and can touch on the divine.

## **Author details**

William Franke Vanderbilt University, Nashville, United States

\*Address all correspondence to: william.franke@vanderbilt.edu

© 2023 The Author(s). Licensee IntechOpen. This chapter is distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/3.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

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## **Chapter 5**
