*3.1.2 Questionnaire*

Both surveys used similar semi-directed questionnaires because Bauer et al. [8] adapted Soudoplatoff and Pras [7]'s methods from the context of orchestra conducting to the context of music improvisation. In this chapter, we focus on the analysis of the respondents' answers to four questions that were featured in both questionnaires. These questions are slightly reworded here to encompass both performance contexts (i.e., orchestra conducting and recording improvisations):

